Inca Art for Kids
Three pre-Incan cultures from the Lake Titicaca Basin had a profound effect on the development of future Incan artist media and styles. The Chiripa culture existed between 1400 and 850BC. On the Bolivian side of the lake they developed sophisticated ceramic styles that included: bowls, cooking pots, and drinking vessels painted in red, black and cream polychrome paint. The Chiripa potters also produced ceramic trumpets. The trumpets are some of the earliest known instruments found in the Western Hemisphere. These people also worked with copper, tin, and brass.
The Pukara culture was located 65 miles northwest of Lake Titicaca. It emerged around 400BC. The Pukara ceramics were highly sophisticated, passing through several stages of development. The vessels were slip-painted in red, yellow, and black, and decorated in pictures of birds, llamas, cats, and humans. They also developed a ceramic trumpet and drinking vessels with beakers. The Pukara were also excellent sculptors. They created both full round and flat relief stelae type carvings on stone slabs. Full round sculptures usually were of realistic human origin, while the stelae were of cats, serpents, lizards, fish, and people.
The Tuahuanaco or Tiwanaku culture developed 12 miles southeast of Lake Titicaca. This culture lasted for more than 1000 years before it ended around 1000AD. It had more direct influence on the Inca Civilization than any other. These people were very technologically advanced. They worked intricately with textiles, ornate wood carvings, and gold jewelry. They also created amazing stone carvings.
Artist and craftsmen were held in high esteem by Inca royalty. These specialists were recruited by the thousands to work as metal smiths, jewelers, ceramicists, and textiles. Artisans were important because the ancient Incas used textiles and jewelry as currency. Here artisans were so valuable that they were allowed to wear ear spools which was a privilege otherwise reserved for the Inca elite.
The great art styles of the Andes are referred to as government or corporate art styles. This is because the ancient Inca used textiles and art work as currency. This placed artisans in direct service of the state. Artisans and craftsmen were subsidized by the government and the nature of their work was dictated by the Incan royal family. It was the great Incan ruler Pachacuti who fostered the idea of royal government and religious design motifs and iconography. It was not easy turning peasants into skilled artisans. The rulers of Cuzco turned toward the city-state of Chimor to fill this need. The lords of Chimor had subsidized legions of metallurgists in an attempt to monopolize the production and circulation of gold and silver. Next, the Incas would conquer the ancient city of Lambayeque and resettled tens of thousand of artist and craftsmen to the city of Chan Chan so that they could directly serve the Inca rulers. Almost all of this beautiful work created by the metallurgists was melted by the Spanish Conquistadors.
1875 Wood Engraving Paul Marcoy Journey South America Writer Costume Rifle - Original Engraving
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The Aztec people/tribe were certain ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica in t